Thank you for purchasing the Yamaha Drum Set. From this day forward you can be assured of playing a high-quality full drum set.
Please read this owner’s manual thoroughly before use and refer to it throughout the continued use of the drum set.

Bass Drum Assembly

TomTom Installation

1. Place the head 2 then the hoop 3 onto shell 1. Use the bass drum bolts 4, washers 5 and the bass drum hooks 6 to secure the head and the hoop to the shell by tightening each bolt gradually in a diagonal fashion.
   NOTE: Loosely tighten the bolt 2 or 3 turns with your fingers, then use the tuning key 7 to tighten the bolts until secure. (Refer to the “Drum Head Tightening Procedure” for  complete instructions on tightening the drum head.)
2. Loosen the bass drum leg bolts 8 and rotate the bass drum legs 9, (Fig. A) then loosely secure the leg in place.
   Once you have determined the position of the leg, tighten the bass drum bolts 8 to secure the leg in place. (An alignment gauge is supplied on the bass drum leg base and bass  drum leg o to aid in setting leg angles.) Rotate the leg rubber 9 in either direction to secure the rubber to the bass drum leg 9. (Fig. B)
3. Insert the tom clamp 12 into the pipe clamp 11and firmly tighten the tom holder bolt13.

❈ About the Memory Clamps14
Once the desired tom height has been determined, securing the memory clamp onto the mounting pipe of the tom clamp and pipes will mark the setting for future setups.
❈ About the Ball Clamp15
The angle of the tom16 can be freely varied using the ball clamp.

Floor Tom Assembly

1. Just as you did on the bass drum, put the head 2 and then the hoop 3 onto the tom shell 1, attach the floor tom bolts 4 and washers 5, and tighten. Use the tuning key 6  throughout, and tighten each bolt a little at a time in a diagonal fashion.(Refer to the “Drum Head Tightening Procedure” for complete instructions on tightening the drum head.)
2.  Install the floor tom legs 7. To firmly stabilize the assembly, make sure the legs extend outward at right angles to the circumference of the drum.

Snare Stand Assembly

1. Open leg section 1 and secure the legs in place with the leg section wing bolt 2.
2. Raise the arm section and open the arms 3.
3. Rest the snare drum 4 on the arm section. Use the rotary nut 5 to gradually close the arm section until the snare is held firmly in place.
4. Use the wing nut 6 to adjust the snare to a comfortable playing angle for performance.

Hi-Hat Stand Assembly

1. After opening leg section 1, insert the footboard linkage rods 2 (Fig. E) into the holes on the footboard frame assembly, and tighten the leg section wing bolt 3.
2. Remove the clutch 5 from the upper piper 4.
3. Attach the clutch 5 to the upper hi-hat cymbal 6. Tighten the clutch nut u and clutch bolt 7 from above and below the cymbal, and tighten the lock nuts 8 to secure the upper hi-hat cymbal 6. (Fig. F)
4. After placing the lower hi-hat cymbal 10 on the hi-hat stand, set the upper hi-hat cymbal with the clutch attached, and secure with the clutch wing bolt 11.

Cymbal Stand Assembly

1. Open leg section 1 and secure with the leg section wing bolt 2.
2. Insert the upper pipe 3 into leg section 1 and secure it into position with the connector wing bolt 4.
3. Place the cymbal 5 between the felts 6 and secure into position with the wing nut 7. 

Foot Pedal Assembly

1. Similar to the hi-hat assembly, attach the foot pedal linkage rods 1 to the foot pedal frame assembly. (Fig. D)
2. Attach the beater 3 to the beater shaft attachment w and secure with bolt 4.

❈ About Spring Adjustment 5
Spur length is adjusted with the spur adjustment bolts. The spring adjustment nut is used to adjust spring tension.

Setting Up

1. The front of the bass drum should be raised slightly (about 1/2″).
2. Make sure the foot pedal 1 is flat on the floor.
3. The height of the drum stool 2 should be set so that the knee is a little lower than the upper thigh when the player’s foot is on the foot pedal.
4. The hi-hat 3 should be 5 to 7 inches higher than the top of the snare drum 4.
   Keep a 1 to 2-inch clearance between the upper and lower cymbals of that. In addition, for optimal sound, tilt the lower cymbal slightly.
5. The height of the floor tom and the snare drum should be about the same. Keep about a one-foot space between the two instruments.

This covers the basic setup of the drum equipment.

Drum Head Tightening Procedure

Drum Head Tightening Procedure
First, lightly tighten all the hoop bolts two turns each. Then, in a diagonal fashion following the numerical order shown in the diagram below, begin to more firmly tighten each bolt a little at a time. As a guide during tightening, the space between hoop 1 and shell 2 should be the same everywhere.

New Drum Head Conditioning

New Drum Head Conditioning
For new drums, it may take some time to break in the head and the shell. A properly stretched head will have a good sound. Periodically check for proper tension by firmly pressing on the middle of the head. It is possible to feel areas where the drum head is not correctly stretched.
Note

Left for an extended time inside of an automobile, exposed to direct sunlight, or exposed to high temperatures can damage the wrap covering (polyvinyl chloride sheet)
or ruin the drum’s performance.
Do not leave the drums in places with high temperatures or high humidity.

YAMAHA CORPORATION
P.O. Box 1, Hamamatsu, Japan
Printed in Indonesia

YAMAHA Keyboard Stand Instruction Manual

This Keyboard Stand is only for use with 88- keys Digital Pianos. To confirm whether your instrument is compatible with this stand or not, refer to the owner’s manual of your particular instrument.

CAUTION
Read these precautions carefully before you assemble or use the keyboard stand.

These precautions are to promote safe use of the stand and to prevent injury and damage from occurring to you and others.
By following these precautions carefully, you will be able to get long and safe usage from your keyboard stand.
Please keep this manual in a safe and handy place for future reference.

• Be careful not to confuse any of the parts, and be sure to install all parts in the correct direction. Please assemble according to the sequence given below.
• Assembly should be carried out by at least two persons.
• Assemble the stand on a hard and flat floor with ample space.
• Use only the screws provided when assembling the stand. Use of any other screws may result in an inadequate assembly that may cause damage to both the keyboard and the stand.
• Use the stand only after assembly is complete.
  An incomplete assembly may result in overturning of the stand and damage to the keyboard.
• Always place the stand on a flat, stable surface.
  Placing the stand on uneven surfaces may result in it becoming unstable or overturn, causing the keyboard to drop and possibly resulting in injury.
• Do not use the stand for anything other than its designed purpose. The stand is not designed to hold anything other than the specified keyboard.
  Placing any object other than the specified keyboard on the stand may result in the object dropping or the stand overturning.
• Do not apply excessive force to the keyboard as it may cause the stand to overturn or the keyboard to drop.
• Make sure the stand is sturdy and safe, and all screws have been tight and firm before use. If not, the stand may overturn, the keyboard may drop, or may result in injury to the user.
• To disassemble, reverse the assembly sequence given below.

NOTICE

• Do not expose the stand in direct sunlight (outside or in a car during the day etc.) to prevent damage to the unit.

* The illustrations as shown in this Assembly Instructions are for instructional purposes only, and may appear somewhat different from those on your stand or keyboard.

Keyboard Stand Assembly

• Have a Phillips-head (+) screwdriver ready.

The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly instructions and select the parts as needed.

Assembly Parts

6 x 16 mm screws (12 pcs.)

1. Attach A to B and C.
   
   Attach A using screws D.
   There are four threaded holes for attaching the pedal unit (sold separately) to this stand at the rear of A. When attaching A to B and C, the surface with the holes should be at the rear of the keyboard. Also, make sure that the non-colored surface is facing down.
   CAUTION:
   
   • Be careful not to drop the parts or touch the sharp metal fittings.
2. Put the keyboard on the stand.
   
   Be sure to place your hands at least 15 cm away from either end of the keyboard and carefully place the keyboard on the side boards.
   CAUTION:
   
   • Be careful not to drop the keyboard or to get your fingers caught between the keyboard and the stand parts.
   • Do not hold the keyboard in any position other than the position shown in the illustration.
3. Fix the keyboard to the stand.
   Slowly move the keyboard so that the holes on the bottom of the keyboard are properly aligned with the holes on the angle brackets, and then lightly tighten the screws D. With the holes properly aligned, finally tighten all screws securely.

When moving the instrument 

When moving the instrument after assembly, always lift it securely and do not drag it.

CAUTION:

• When transporting or moving the instrument, always use two or more people.
  Attempting to lift the instrument by yourself may damage your back, result in other injury, or cause damage to the instrument itself.
• When moving the instrument, make sure to grip it securely from the bottom and avoid putting your hands or fingers inside the screw hole indentations shown at right (which are not meant for holding the instrument). Doing so may result in injure your hands or fingers, or cause damage to the instrument itself

NOTICE

• If the pedal unit (sold separately) is attached, loosen the long screws of the section attached to the stand and separate the pedal unit from the floor before moving the instrument. If not done, the floor may be damaged.

Post-assembly checklist 

Once you’ve assembled the stand, check the following points:

• Are there any parts left over?
  • If so, read the assembly instructions again and correct any mistakes you might have made.
• Is the instrument clear of doors and other movable fixtures?
  • If not, move the instrument to an appropriate location.
• Does the instrument make a rattling noise when you play it or move it?
  • If so, properly tighten all screws.
• Also, if the instrument makes a creaking noise or seems unsteady when you play it, refer carefully to the assembly instructions and diagrams and retighten all screws.

Video Sound Collaboration System for Huddle Rooms
CS-700

Always update the firmware to the latest version.
Please refer to the user’s manual that provides detailed information on how to use the product.
You can download the latest firmware and user’s manual from the following website: https://uc.yamaha.com/products/video-sound-bar/huddle-room-system/

Content

1 x	CS700-AV, CS700-SP, CS700-DL, CS700-DS
1 x
4 x
1 x
1 x CS700-DS CS700-DL
1 x
1 x
1 x
2 x
2 x

Bracket installation

Install the bracket with 4 appropriate screws on the wall, spacing two pairs of screws as far apart as possible. Ensure that the bracket is tight to the wall or the spacers to avoid vibration. If installed below the display ensure that the distance is big enough to fit the CS-700 unit. You can adjust the depth of the installation by using the appropriate number of spacers (0-2) on each side. The maximum mounting height is 2m / 6’ 8” from the floor. Always use 4 screws.

Placing the CS-700 unit on the bracket

Position the CS-700 in such a way that the two hooks in the front of the bracket fit into the cavities on the lower part of the CS-700. Ensure that the CS-700 is safely held by the hooks.

Once the CS-700 is safely positioned on the hooks of the bracket, connect the power cable and the USB cable to the CS-700 as shown. If it is planned to manage the CS-700 using the web browser, also connect the network cable into the corresponding connector.
Secure the cable using the provided cable ties to the CS-700 unit.

Installing unit in Bracket

Once all cables are correctly connected and secured, tilt the CS-700 back on the bracket and push it to pack into the bracket.

Secure unit

Secure the CS-700 unit in the bracket with the provided machine screws.

Connect to power and computer

Connect the power cord to the power supply, and plug the power cord into a mains power connector. Connect the USB cable to a USB 3 (USB SuperSpeed) connector on the computer.

Select device

In your operating system select the “Yamaha AudioVideo Device” as your default audio playback and recording device.
In your unified communications application, select the CS-700 as the Video device.

Manage through IP interface

If an IP connection was made to the CS-700, the unit is configured to receive a DHCP address.
Press the two middle buttons (volume up / Bluetooth) for 5 seconds, and the system will speak the IP address that was assigned to it.

For more information, download the full documentation:
https://uc.yamaha.com/products/video-sound-bar/huddle-room-system/

Specifications

Date code
The date code on the CS-700 label indicates when the product was manufactured. The first digit indicates the year.

The second and third digits indicate the calendar week in that year – from 01 at the beginning of the year to 52 (or 53).

Important Notice: Precautions and legal information for customers in European Economic Area (EEA), Switzerland, and Turkey

Precautions and legal information:
For detailed precaution and legal information about this Yamaha product for customers in EEA*, Switzerland, and Turkey, please visit the website address below or contact the Yamaha representative office in your country.
* EEA: European Economic Area

Important Notice: Guarantee Information for customers in EEA* and Switzerland
For detailed guarantee information about this Yamaha product, and Pan-EEA* and Switzerland warranty service, please either visit the website address below (Printable file is available at the website) or contact the Yamaha Unified Communications representative office for your country.
* EEA: European Economic Area

https://uc.yamaha.com/warranty

For details of products, please contact your nearest Yamaha representative or the authorized importer listed below.

North America
Yamaha Unified Communications, Inc.
144 North Road, Suite 3250, Sudbury, MA
01776, USA
Tel +1-800-326-1088

© Yamaha Corporation. All Rights Reserved.
Published 07/2018
Printed in China
QS-CS700-201807-MUL / 2950267-00

Manufacturer: Yamaha Unified Communications, Inc.
Address: 144 North Road, Suite 3250
Sudbury, MA 01776, USA

Precautions

• This speaker bracket is for a speaker than weighs no more than 30 kg.
• Make sure that the surface this bracket is being mounted on has the strength to handle the weight of the speaker and this bracket.
• Use bolts, nuts, and washers for installation and tighten them down firmly so that the speaker does not move. After completing the installation, always double check the installation one more time for safety’s sake.
• Always loosen the corresponding screw before adjusting the angle or direction of the speaker. Never force this adjustment with the screw still tightened down.
• Yamaha can not assume any responsibility whatsoever for any damage caused by such incidents as the speaker falling due to an improper installation method or location.
• We recommend that you consult a carpenter or other qualified professional before installing the speaker bracket.

Assembly Drawing

Installation Procedure

1. Remove the 2 fixing bolts from the speaker. Using those 2 bolts, attach the base plate to the speaker and tighten the bolts to secure firmly. (Figure 1).
   
                                       Figure 1. 
2. After removing the nut and bolt that hold the two sections of the bracket together, use six sets of M8 bolts and nuts and 12 washers to install the wall installation fixture on an adequately strong wall. lighten the nuts and bolts firmly. (Figure 2) Always double check that the wall is strong enough to handle the weight of the speaker and the bracket. We recommend that the wall bracket be Installed during construction of the structure or room. If the bracket is to be installed on an existing wall, additional construction will be necessary. Please consult a carpenter or other qualified professional and check the wall’s construction making sure that it is adequately strong.
   Warning: The M8 bolts and nuts and washers used to attach the speaker bracket to the wall are not supplied. Please furnish bolts, along with nuts and washers, that are of sufficient length for the wall’s thickness.
   
3. Mount the fixture to which the speaker has been fastened on the wall installation fixture so that washers come to the fastening nut (bottom) as shown in Figure 3. Next, firmly tighten the nut and bolt that hold the two sections of the bracket together. To set the vertical direction for the speaker, loosen the two M8 angle adjustment screws, adjust the angle, then tighten the screws back down again. Do not force the adjustment with the screws still tightened.
   Warning: Since the angle adjustment screws may come out altogether if they are loosened too far, loosen them only the bare minimum necessary for adjusting the angle.
   
   When passing the speaker cord in from the rear side of the wall, use the speaker cord hole in the installation fixture (Figure 4).
   Warning: If your speaker’s owner’s manual Instructs you to install the speakers at specific angles, please follow those instructions when attaching the bracket.
   

Dimension

YAMAHA Sound Bar

Thank you for purchasing this Yamaha product.

• To use this product properly and safely, read this Quick Start Guide and the supplied booklet “Safety Brochure” before using the unit.
• After reading this document and the Safety Brochure, be sure to keep them in a safe place where they can be referenced at any time.

About this Quick Start Guide
This document provides step-by-step instructions for installation and playback. Refer to the User Guide on the Yamaha website for more information. Visit the following website to see the latest User Guide.

Supplied accessories

Make sure you have received all of the following accessories.

• Quick Start Guide (this booklet)
• Safety Brochure
• NOTE: An HDMI cable is not included with this sound bar. Please consider length when purchasing this cable separately.

Preparing the remote control

Remove the battery insulating strip before attempting to use the remote control.

NOTE
A Lithium battery (CR2025) has already been inserted into the remote control.

Operating range of the remote control

Use the remote control within the range shown in the following illustration.

Installing the sound bar

Installed on a TV standWall-mounted

Refer to the User Guide. When installation and all connections are complete, power off sound bar and hold down BASS EXT on the sound bar’s remote control for at least five seconds. The frequency characteristics are configured for wall mount installation.

Connecting a TV

Depending on the type of TV, connect the TV to the sound bar as follows:

Is your TV equipped with an HDMI jack labeled as “ARC?”
                  Yes                                                No

Connect the TV using an ARC-compatible HDMI cable (sold separately).Connect the TV using an HDMI cable (sold separately) and digital optical audio cable (supplied). Be sure to use both cables to connect the TV.

NOTE

• When the sound bar is connected to a TV via HDMI cable, confirm that the TV’s settings are properly configured as follows:
  • The TV’s HDMI Control function is enabled.
  • The TV’s audio output is set to ARC. (When an ARC-compatible TV is used.)
• The TV’s HDMI Control function allows for controlling the following functions using the TV’s remote control:
  • Turn the power on and off Both the TV and the sound bar turn on/off at the same time.
  • Volume adjustment The sound bar’s volume can be adjusted when the TV’s audio output is set to the sound bar.

Connecting the TV using only the digital optical audio cable (supplied)

When the HDMI Control function is not used or the TV is not equipped with an HDMI input jack, connect the TV as follows:

Connecting to power

After all connections are complete, connect the sound bar to power as follows:

Playing TV sound through the sound bar

1. Turn on the TV.
   When the TV is connected to the sound bar using an HDMI cable and the HDMI Control function of the TV is enabled, the sound bar will also turn on. In this case, go to Step 4.
2. Turn on the sound bar. Press the z button on the remote control, or touch z on the sound bar.
3. Press TV.
4. Press VOLUME (+/−) to adjust the volume.

Adjusting the sound to your preference

Listening modes based on video or audio content (Sound mode)
The following sound modes allow you to further enhance audio performance. Select the sound mode according to your content and individual preference:
STANDARD
This sound mode is the best suited for general content, such as sports, sitcoms, and reality shows. Surround playback is performed.
MOVIE
This sound mode is the best suited for movies. Surround playback is performed.

GAME
This sound mode is the best suited for video games. Surround playback is performed.
STEREO
2-channel stereo playback. Enhance human voices (Clear Voice) Human voices can be easier to hear when Clear Voice is enabled. The function is recommended for movies or dramas that use a lot of background music and sound effects. Press CLEAR VOICE to enable or disable this feature.

• Flashes three times: enabled
• Flashes one time: disabled

Enjoying enhanced bass sound (Bass Extension)
Bass sound is enhanced and becomes more powerful when the Bass Extension feature is enabled. Press BASS EXT to enable or disable this feature.

NOTE: The default settings are as follows: Sound mode: STANDARD Clear Voice: Disabled Bass Extension: Enabled.

Listening to audio from a Bluetooth® device

Audio content from a Bluetooth device (such as a smartphone) can be played through the sound bar.

1. Press BLUETOOTH to switch the input source to Bluetooth.
2. On the Bluetooth device, enable the Bluetooth function.
3.  Select your product displayed within the list. “Yamaha ATS-C200” or “YamahaAV” is displayed within the list.
4. Play audio content on the Bluetooth device. The sound bar will begin playing audio from the Bluetooth device.
   NOTE
   • The sound bar can be connected to two Bluetooth devices simultaneously (multipoint connection).
   • Two Bluetooth devices cannot be played simultaneously. You will need to stop playback on the Bluetooth device and then start playback on the other Bluetooth device.

Controlling the sound bar with the app

By installing the free dedicated app “Sound Bar Remote” on a mobile device (such as a smartphone), the sound bar can also be controlled from the mobile device. Search for “Sound Bar Remote” on the App Store or Google Play and install it on the mobile device.

The main app functions are as follows:

• Turn the power on/off, select an input source, adjust the volume, and adjust subwoofer volume
• Switch between sound modes
• Enable or disable the Bass Extension and Clear Voice features
• Change the brightness of the indicators on the front of the sound bar (Dimmer)
  NOTE
• To control the sound bar using the app, configure the settings on your mobile device as follows:
• Enable the Bluetooth function.
• For Android devices, configure the settings to allow location information to be obtained. The Sound Bar Remote app only uses location information from the Android device to detect the sound bar. Your personal information will not be collected.
• This sound bar is only compatible with the Sound Bar Remote app. The sound bar cannot be controlled using other apps (such as Sound Bar Controller).

Thank you and congratulations on your purchase of this Yamaha product. · You can enjoy the high-quality stereo sound of this integrated amplifier at home. · To use the product properly and safely, we suggest that you read this manual and the “Safety Brochure” thoroughly.
Keep the manual in a safe, accessible place for future reference.

Features

◆ Floating balanced circuit for power amplifier
◆ Fully-balanced transmission from input to output
◆ Tone control circuit with a parallel volume system
◆ Large power supply with four separate circuits
◆  Left-right symmetrical design
◆ Fully discrete phono amp
◆ Low-impedance, high-performance headphone amp

Things to know before using this product

About this manual

• This manual describes the unit’s features and connection procedures.
• The illustrations as shown in this manual are for instructional purposes only.
• Specifications and appearance are subject to change without notice.
• WARNING” describes precautions to be followed to avoid the possibility of serious injury or even death.
• CAUTION” describes precautions to be followed to avoid injury.
• “NOTICE” describes precautions to be followed to avoid malfunction or damage to the product.
• ” Note ” describes supplemental information about the product.

Supplied accessories

Please make sure that the following accessories are included in the package.

• Remote control
• Batteries (AAA, R03, UM-4) (×2)
• Power cable*
• Owner’s Manual (this book)
• Safety Brochure
  * Multiple power cables might be included in the package depending on the area of distribution. Please use the one that is appropriate for your AC outlet.

Part Names and Functions

This section lists the names and describes the function of various parts on the front and rear panels, and the remote control.

Front panel

(1) (Power) switch/indicator

While the (Power) switch is in the up position, press the AMP key on the remote control repeatedly to switch the power to the unit between on and standby mode. In addition, under either of the following conditions, the unit will enter standby mode.

• If the Auto Power Standby function is enabled. (→ page 10)
• If you turn off the power to a device that has been set to trigger connection to this unit. (→ page 20)

NOTICE
If you plan not to use the unit for an extended period of time, be sure to unplug the power plug from the AC outlet. Even when the power is turned off, a minimal amount of electric current is still flowing to the unit.

Note

• After you turn on the unit, it will take a few seconds before the unit can reproduce sound.
• Do not turn on the power to this unit again within 10 seconds after the power has been turned off. Doing so may generate noise.
• While the unit is in standby mode, to turn on power to the unit first set the (Power) switch to the down position to turn the power off, then set the switch to the up position.
• While the unit is in standby mode, if you unplug the power cable from the AC outlet and then plug it in again, the power to the unit will be turned on.

(2) Remote control sensor
Receives signals from the remote control. (→ page 14)
(3) PHONES jack
Connect your headphones here.
Note

• Connecting the headphones here will result in the following:
  – No sound will be heard from the connected speakers.
  – Audio signals will not be output at the PRE OUT jacks.
  – You will be unable to select MAIN DIRECT as the input source.
• If MAIN DIRECT is selected as the input source, audio signals will not be output at the PHONES jack.

(4) TRIM selector
Switches the headphone amp gain. Select the gain setting that is appropriate for your headphones.
Available gain: -6 dB, 0 dB, +6 dB, +12 dB

(5) SPEAKERS selector
Switches sets of speakers connected to the SPEAKERS L/R CH A and B terminals on the rear panel as follows:
OFF: No audio signals will be output from the speakers.
A: Audio signals will be output from the set of speakers connected to the A terminals.
B: Audio signals will be output from the set of speakers connected to the B terminals.
A+B BI-WIRING: Audio signals will be output from the sets of speakers connected to the A and B terminals. Select this position when you plan to make a bi-wired connection. ( →page 19)

NOTICE
[Model for Asia] If you connect two sets of speakers (A+B), use the speakers with an impedance of 12 or higher.
[Other models] If you connect two sets of speakers (A+B), use the speakers with an impedance of 8 or higher.

(6) METER selector
Switches the meter function as follows:
OFF: Turns off meter operation and display illumination.
PEAK: Switches the meter display type to a peak level meter. The peak level meter shows the highest instantaneous level of an audio output signal.
VU: Switches the meter display type to a VU (Volume Unit) level meter. The VU level meter shows an effective audio output value that represents the way sound is perceived by human ears.
DIMMER: When selected, the DIMMER automatically changes the brightness of the meter display in steps. When you see the brightness level you desire, switch to another setting parameter to lock in the new brightness setting.
(7) Meter (LEFT/RIGHT)
Indicates the audio output level of the left (LEFT) and right (RIGHT) channels.

Front Panel

(8) BASS control
Adjusts the volume level of the bass range.
Adjustable range: -10 dB ­ 0 ­ +10 dB
(9) TREBLE control
Adjusts the volume level of the treble range.
Adjustable range: -10 dB ­ 0 ­ +10 dB
(10) BALANCE control
Adjusts the audio output balance between the left and right speakers to compensate for sound imbalances caused by speaker locations or listening room conditions.
Note

• If both BASS and TREBLE controls are set to 0 (zero), the audio signal will bypass the tone control circuit.
• The BASS, TREBLE, and BALANCE control settings will not affect the input signals at the MAIN IN jacks nor the output signals at the LINE 2 OUT jacks.

(11) INPUT selector/indicator
Selects the input source. The indicator for the selected input source lights up. Audio signals of the selected input source will be output at the LINE 2 OUT jacks.
MAIN DIRECT: Selects the component connected to the MAIN IN jacks as the input source.
LINE 1/LINE 2: Selects the component connected to the LINE 1 or LINE 2 jacks as the input source.
BAL: Selects the component connected to the BAL input jacks as the input source.
CD: Selects the CD player connected to the CD input jacks as the input source.
TUNER: Selects the tuner connected to the TUNER input jacks as the input source.
PHONO: Selects the turntable connected to the PHONO input jacks as the input source.

Note

• If MAIN DIRECT is selected as the input source, audio signals will not be output at the PRE OUT, LINE 2 OUT or PHONES jacks.
• If LINE 2 is selected, audio signals will not be output at the LINE 2 OUT jacks.

(12) PHONO switch
Set this switch to the MM or MC position according to the type of magnetic cartridge of the turntable connected to the PHONO input jacks on the rear panel.
Note
Before you replace the cartridge for the turntable, be sure to turn off the power to this unit.

(13) Feet
If the unit is unstable, adjust the height of the feet as needed by rotating them.

(14) AUDIO MUTE switch/indicator
Press this switch to reduce the current volume level by approximately 20 dB. The indicator will light up. Press again to restore the audio output to the previous volume level. The indicator will turn off.

(15) VOLUME knob
Adjusts the volume level. This setting will not affect the output level at the LINE 2 OUT jacks.

NOTICE
If you select MAIN DIRECT as the input source for this unit, the volume level will be fixed. In this case, to adjust the volume level, use the volume control on the external amplifier connected to the MAIN IN jacks.

Rear panel

(1) BAL (balanced) input jacks
Note
Set the ATTENUATOR selector and PHASE selector appropriately for the playback component that is connected to these jacks. ( page 20)

(2) PRE OUT jacks
Note

• Audio signals output at the PRE OUT jacks are the same channel signals that are output at the SPEAKERS L/R CH terminals.
• The following parameter settings are effective for audio signals output at the PRE OUT jacks.
  – BASS
  – TREBLE
  – BALANCE
  – VOLUME

(3) AUTO POWER STANDBY switch
ON: The unit enters standby mode automatically if it is left turned on and not operated for eight hours (Auto Power Standby function).
OFF: The unit does not enter standby mode automatically.

(4) TRIGGER IN jack
Connect external components that support the trigger function. ( →page 20)

(5) REMOTE IN/OUT jacks
Connect external components that support the remote function. ( →page 21)

(6) SERVICE jack
This jack is used to test the product.

(7) SPEAKERS L/R CH terminals
(8) TUNER input jacks

(9) PHONO input jacks
(10) CD input jacks
(11) GND (Ground) terminal
If you connect your turntable to this unit, ground it to the GND terminal. Doing so may reduce noise.

CAUTION
Do not loosen the GND terminal knob excessively. Otherwise, the knob may come off and a child may swallow it accidentally.
Note
This is not a safety ground.
(12) LINE 1 input jacks
(13) LINE 2 jacks
Connect external components that feature analog audio in/out jacks.

(14) MAIN IN jacks
Connect external components that feature a volume control function so that you can use this unit as a power amplifier.
NOTICE
If you select MAIN DIRECT as the input source for this unit, the volume level will be fixed. In this case, to adjust the volume level, use the volume control on the external amplifier connected to the MAIN IN jacks.

(15) AC IN jack
Connect the supplied power cable here. (→ page 22)

Remote control

(1) Infrared signal transmitter
Outputs infrared control signals toward the unit. (→ page 14)
(2) AMP key
Turns on the power to the unit or switches it to standby mode. (→ page 6)
(3) Input select keys
Select the input source. Audio signals of the selected input source will be output at the LINE 2 OUT jacks.
BAL: Selects the component connected to the BAL input jacks as the input source.
LINE 1/LINE 2: Selects the component connected to the LINE 1 or LINE 2 jacks as the input source.
PHONO: Selects the turntable connected to the PHONO input jacks as the input source.
MAIN DIRECT: Selects the component connected to the MAIN IN jacks as the input source.
CD: Selects the CD player connected to the CD input jacks as the input source.
TUNER: Selects the tuner connected to the TUNER input jacks as the input source.
Note

• If MAIN DIRECT is selected as the input source, audio signals will not be output at the PRE OUT, LINE 2 OUT or PHONES jacks.
• If LINE 2 is selected, audio signals will not be output at the LINE 2 OUT jacks.

(4) VOLUME +/- keys
Adjust the volume level. This setting will not affect the output level at the LINE 2 OUT jacks.

NOTICE
If you select MAIN DIRECT as the input source for this unit, the volume level will be fixed. In this case, to adjust the volume level, use the volume control on the external amplifier connected to the MAIN IN jacks.

(5) MUTE key
Press this key to reduce the current volume level by approximately 20 dB. Press the key again to restore the previous volume level.

(6) Tuner control keys
Control the functions of a connected Yamaha tuner. For more information, refer to the owner’s manual for your tuner.
(7) CD player control keys
Control the functions of a connected Yamaha CD player. For more information, refer to the owner’s manual for your CD player.
⩠ OPEN/CLOSE key: Opens or closes the disc tray of a connected CD player. CD key: Turns on the power to a connected CD player, or switches it to standby mode.
►(Play): Starts playback of the CD player.
(Pause): Pauses playback of the CD player. Press ►or to resume playback. ■ (Stop): Stops playback of the CD player.
(Skip): Skips to the next track, or returns to the beginning of the current track.
SOURCE key: Selects the source to be played on the CD player. The playback source changes each time this key is pressed.
LAYER key: Toggles the playback layer of a hybrid super audio CD between “Super audio CD” and “CD.”
Note
Some Yamaha tuners or CD players might not support the tuner or CD player control keys.

■ Installing batteries in the remote control

1 Remove the battery compartment cover.

2 Insert two batteries (AAA, R03, UM-4)
according to the polarity markings (+ and -) on the inside of the battery compartment.

3 Reinstall the battery compartment cover.

■ Operating the remote control

Operate the remote control in the range shown below by pointing it toward the remote control sensor on the front panel of the unit.

Connections

This section explains how to connect the unit to speakers and audio source components.

Connection diagram

CAUTION
Be sure to complete all connections before plugging in the power cable to an AC outlet. ( → page 22)

NOTICE
If a component is connected to the MAIN IN jacks, the unit’s volume level will be fixed. Therefore, do not connect a CD player or other components that do not feature volume adjustment to the MAIN IN jacks. Otherwise, a loud sound may be emitted, resulting in malfunction of the unit or damage to the speakers.

Note

• Because this power amplifier is of the floating balanced type, the following connections are not possible. – Connecting between two “+” (or two “-“) terminals of the left and right channels (Fig. 1).
  – Connecting each “-” terminal of the unit’s left and right channels to the opposite channel speakers (cross connection, Fig. 2).
  – Connecting the left/right channel “-” terminals (or accidentally allowing them to come in contact) with the metal part of the rear panel of this unit.

• Do not connect an active subwoofer to the SPEAKERS L/R CH terminals. Connect the subwoofer to the unit’s PRE OUT jacks.

Connecting speakers

■ Using speaker cables

1 Remove approximately 10 mm of insulation
from the end of each speaker cable, and twist the exposed wires together tightly to prevent short circuits.

2 Unscrew the knob on each speaker terminal, and then insert the bare wire into the side hole on the terminal.

3 Tighten the knob.

CAUTION

• Do not loosen the knob excessively. Otherwise, the knob may come off and a child may swallow it accidentally.
• To reduce the risk of electric shock, do not touch the speaker terminals while the power to the unit on.

NOTICE

• If the SPEAKERS terminals come into contact with a metallic rack, a short circuit may occur, resulting in damage to this unit. When installing the unit in a rack, maintain a sufficient clearance to prevent the SPEAKERS terminals from coming into contact with the rack.
• Do not let the bare speaker wires touch each other, nor let them touch any metal part of this unit. Otherwise, the unit and/or the speakers may be damaged.

Note
All connections must be correct: L (left) to L, R (right) to R, “+” to “+”, and “-” to “-“. For information regarding the connection procedure, refer to the owner’s manual for your speakers.

■ Using banana plug cables

(Models for U.S.A., Canada, Australia, China, and Taiwan)

First tighten the knob on the SPEAKERS terminal, and then insert the banana plug into the head of the knob.

■ Using Y-shaped lug cables

1 Unscrew the knob, and then sandwich the Y-shaped lug between the ring part and base of the terminal.

2 Tighten the knob.

Bi-wired connection

A bi-wired connection separates the woofer from the mid and high ranges. Speakers that support bi-wired connection feature two pairs of terminals (total four terminals). These two pairs of terminals can divide the speakers into two independent parts. To make this kind of connection, you need to connect mid and high range drivers to one pair of terminals, and low range drivers to the other pair of terminals.
1 Remove the shorting bars or bridges on the speakers.
2 Connect this unit to the speakers as shown in the figure below.

An example of left channel connection

3 Set the SPEAKERS selector on the front panel to A+B BI-WIRING.

Balanced connection

You can connect a CD player or network player that features XLR-type balanced output jacks to the BAL input jacks of this unit. Use XLR-type balanced cables for this connection.
ATTENUATOR selector: Enables you to set the allowable input level at the balanced input jacks. Select ATT. (-6 dB) if the audio output from the connected component sounds distorted.
PHASE selector: Enables you to set the position (phase) of the HOT pin (pin #2: HOT or pin #3: HOT) at the balanced input jacks.

Refer to the instruction manual for the connected component to find out the position of the HOT pin at the balanced output jacks on the component.

Note

• Select NORMAL (pin #2 is HOT) for a Yamaha player.
• Do not use balanced and unbalanced connections for one component simultaneously. Doing so would create a ground loop that could generate static and noise.
• When connecting a cable, be sure to align the pins on the connector with the holes on the jack, and then insert the male XLR connector into the jack until you hear a click. To remove the cable, while pressing and holding down the lever on the BAL input jack, pull out the male XLR connector from the jack.

* For a balanced connection, select BAL as the input source.

Trigger connection

You can connect a Yamaha AV receiver or other component that supports the Trigger function. You can control this unit in sync with a connected component.
When the power to the connected component is turned on, the power to this unit is also turned on. Simultaneously, the input source to the unit is set to MAIN DIRECT. If MAIN DIRECT has been selected as the input source for this unit, when the power to the connected component is turned off, this unit will enter standby mode.
Note
When the power switch on this unit is turned Off, the power to the unit will not be triggered.

Remote connection

■ Operating the unit from another room

If you connect a commercially-available infrared receiver and transmitter to the unit’s REMOTE IN/OUT jacks, you will be able to operate the unit and/or external component from another room, using the supplied remote control.

■ Remote connection between Yamaha components

If you have another Yamaha component that supports remote connections, an infrared transmitter is not necessary. Connect an infrared receiver to the unit’s REMOTE IN/OUT jacks, as shown below. Up to 3 Yamaha components (including this unit) can be set up for remote connection.

Connecting the power cable

After all connections are complete, plug the power cable into the AC IN connector of the unit, and then plug the power plug into the AC outlet.

Appendix

This section lists technical specifications for this unit.

Specifications

* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website and download the manual file.

Block diagram

Acoustic characteristics

■ Tone control characteristics

■ Total harmonic distortion

■ Total harmonic distortion (PHONO)

Troubleshooting

Refer to the table below if this unit does not function properly. If the instructions below do not help, or if the problem you are experiencing is not listed below, turn off the unit, disconnect the power plug, and contact the nearest authorized Yamaha dealer or service center.

Maintenance

Mirror-finish side panels
We recommend that you use a cleaning cloth such as those made for pianos.

Other surfaces
Do not use chemical agents, such as benzene or thinner for cleaning. Otherwise, the surfaces might be damaged. Wipe the surfaces using a soft dry cloth.

YAMAHA CORPORATION
10-1 Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650 Japan

Yamaha Global Site
https://www.yamaha.com/

Yamaha Downloads
https://download.yamaha.com/

Manual Development Group
© 2020 Yamaha Corporation
Published 01/2020
IPEM-A0
UL VCV3030

YAMAHA Electric Guitars Owner’s Manual

Introduction

Thank you for purchasing a Yamaha electric guitar.In order to obtain maximum performance and enjoyment from this instrument, we urge you to read this Owner’s Manual thoroughly before using the instrument. After read, we recommend that you keep it in a convenient place for future reference.

Information for Users on Collection and Disposal of Old Equipment and used Batteries

These symbols on the products, packaging, and/or accompanying documents mean that used electrical and electronic products and batteries should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products and used batteries, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC and 2006/66/

By disposing of these products and batteries correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products and batteries, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.

[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

[Information on Disposal in other Countries outside the European Union] These symbols are only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.

Note for the battery symbol (bottom two symbol examples):
This symbol might be used in combination with a chemical symbol. In this case it  complies with the requirement set by the Directive for the chemical involved.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference.

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Water warning

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings.

Battery

•  Follow the precautions below. Failure to do so might result in explosion, fire, overheating or battery fluid leakage.
  •  Do not tamper with or disassemble batteries. Do not dispose of batteries in fire.
  •  Do not attempt to recharge batteries that are not designed to be charged.
  •  Keep the batteries separate from metallic objects such as necklaces, hairpins, coins, and keys
  • Use the specified battery type only.
  • Use new batteries, all of which are the same type, same model, and made by the same manufacturer.
  •  Always make sure all batteries are inserted in conformity with the +/- polarity markings.
  • When the batteries run out, or if the instrument is not to be  used for along time, remove the batteries from the instrument.
• Keep batteries away from small children who might accidentally swallow them.
•  If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns.

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Location

• To avoid damage to your instruments wood, finish, or electronic components, DO NOT expose this instrument to direct sunlight, high temperatures/humidity or leave stored in an automobile.
• Do not use close to electronics such as speakers, TV, and radio. The
  instrument’s electronic circuits may cause noise in the TV or radio.
• Do not place the instrument in an unstable position where it  might accidentally fall over.

Connections

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
•  To prevent the possibility of electrical shock or fire, we  recommend using great caution when using this instrument in high humidity or wet weather environments. We also recommend that you read all Owner’s Manuals for the external equipment that you connect this  musical instrument to.

Handling caution

• Never hold the instrument close to your face when adjusting or replacing strings. A string may unexpectedly break damaging your eyes
• If you cut the strings when replacing, do so after sufficiently loosening the pegs. Sudden loss of string tension may damage the neck and the rebounding strings may cause serious injury.
• After changing the strings, cut off the leftover string ends. String ends are sharp and can cause injuries.
• To avoid injury when cleaning this instrument, beware of sharp string ends.
•  When using a strap, make sure the strap is securely attached to the guitar.
•  Do not lift the guitar by strap. It can cause serious injury or damage to the guitar.
•  Do not treat the instrument in a rough manner such as swinging it about, etc. The strap on the guitar may detach causing unexpected accidents such as the instrument dropping, etc., or injuring persons close by.
•  In the following situations, a strap can easily slip off from the strap pins.Take extra care to avoid:
  •  a twisted strap
  •  sudden body movements
  •  a worn out strap
•  If cleaning is required, wipe with a soft cloth. Do not use thinners, solvents, cleaning fluids, or wipes soaked with chemicals. Also. Do not place vinyl or plastic products on the instrument. Doing so can cause discoloration/deterioration.
•  Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or  connectors.

Note : Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument.

Make sure to discard used batteries according to local regulations

Be Careful When Handling and Other Cautions

• The guitar has been properly adjusted before being shipped from the factory. In the event adjustment is necessary, contact the dealer from whom you purchased the instrument, if possible, as special skills may be required. For those adjustments that can be performed by the  owner, please closely follow the instructions given in the Owner’s  Manual for the procedure.
• When playing the instrument, pay attention to the volume level. Especially late at night, take neighbors and those who are close by into consideration.
•  Broken guitar necks are mostly the result of accidents such as dropping the guitar, the guitar falling over, or from shocks  occurred during transport. When the guitar is not being used, make sure it is kept on a sturdy stand where it won’t fall over, or place it in its case.

Correct Use and Handling of Batteries

•  When changing batteries, pay close attention to the +/- polarity markings as shown in the illustration above.
•  Use only a DC9V, S-006P (6LR61 or 6F22) or equivalent battery.

TUNING MACHINE TENSION ADJUSTMENT

The tuning machines have spring-loaded mechanisms which automatically take up wear, preventing backlash. However, it is possible to adjust the amount of pressure required to turn the machines. Each machine has a tension adjustment screw, as illustrated.

Clockwise screw rotation tightens the machine. The tuning machines should be adjusted to the extent that they are firm, but  can turn smoothly. This adjustment is normally unnecessary, and excessive tightening can lead to premature tuning machine wear.

HEIGHT ADJUSTABLE LOCKING NUT (If applicable)

1.  Remove the three hexagonal screws (A) that fix the Lock Pads.
2.  Loosen the four screws (B) that attach the Nut Base to the neck.
3. Adjust the height by the two Height Adjustment Screws (C). The Nut Base gets higher by clockwise rotation, and lower by counterclockwise rotation.
4. After adjusting, tighten the four screws (B).
   

NOTE:As the height has been adjusted in the best condition in the factory, please avoid the adjustment unless you have suitable experience. We suggest that you entrust this adjustment to your dealer.

SETTING THE STRING ACTION

— Bridge —

NOTE:Be sure to perform any necessary adjustments to the truss rod before performing the following adjustments.

String height refers to the space between the strings and frets, and has an affect on playability.
String height is adjusted with the bridge and/or the saddle on the bridge. Adjust height by alternately turning the screws little by little on the left and right sides.
Set too high and the instrument is hard to play. Too low results in fret noise.

Adjust so that the space between the string and the last fret measures as follows:

VIBRATO SYSTEM Vintage Type

Following is the procedure for adjusting the vintage vibrato system:

To check intonation, compare the harmonic tone (12th fret) to the fretted tone (12th fret).

•  If fretted pitch is higher than harmonic, saddle must be moved backward to lengthen string.
  
• If fretted pitch is lower than harmonic, saddle must be moved forward to lengthen string.
  

VIBRATO SYSTEM Locking Type

When changing strings it is necessary to cut off the ball ends of the strings.

Following is the procedure for changing strings and adjusting the vibrato system:

1. Loosen the three clamp screws (A).
2.  Turn the peg to loosen the string being replaced.
3.  Loosen the lock screw (B) of the string being replaced.
4. Remove the old string.
5.  Tighten the lock screw to lock the string in place, then roughly tune the string. Do not over tighten the lock screw. Over tightening  may result in damage.
6.  Make sure that the fine tuning screw (C) is in the middle of its range of travel.
7.  After tuning, rock the tremolo arm back and forth about three times then re-tune the instrument.
8.  If necessary, adjust the intonation and bridge angle.
9.  Tighten the three clamp screws (A) to lock the strings at the nut.
10. Use the fine-tuning screws (C) to precisely tune the instrument to the correct pitch.

Intonation Adjustment in Vibrato Bridge

1.  After loosening/detuning the strings you would like to adjust. Loosen the hexagonal screw (D) located in the front of each saddle using the supplied hexagonal wrench.
2.  Slide the saddles by hand to adjust the length of each string.
3. When the intonation is correct, tighten the hexagonal screw (D) in front of each saddle to ensure that its position stays stationary.

BRIDGE/SPRING TENSION ADJUSTMENTS

For best results the bridge should always be adjusted so it is parallel to the top surface of the guitar as shown in illustration (below). This position is maintained by opposing tension between the strings and the claw springs. If you change string gauge, you will need to readjust the spring tension to return the bridge back to the parallel position.

The adjustment procedures are:

1. Remove the screws that attach the tremolo cavity back plate from the back side of the guitar exposing the claw springs.
2.  Make sure that the guitar is tuned to proper pitch.
3. If the bridge is tilted forward (up), tighten spring tension by turning the claw screws clockwise. If the bridge is tilted back (down), loosen the spring tension by turning the claw screws counterclockwise. (illustration — A) Be sure to check string pitch after each adjustment to the spring tension.
   

TRUSS ROD ADJUSTMENT

The curvature of the neck should be slightly concave. Clockwise rotation of the nut tightens the rod and corrects for too much concave bow. Counterclockwise rotation of the nut loosens the rod and corrects for too much convex bend. Make any adjustments gradually. Allow five to ten minutes for setting, and check the curvature after each 1/2 turn of the truss rod nut.

NOTE:Unless you have experience with truss rods, we suggest that you entrust this adjustment to your dealer.

PICKUP HEIGHT ADJUSTMENT

The height of the pickup (i.e. distance from the strings) affects gain — the higher the pickup, the louder the sound, and vice versa. If the pickup is set too high, sustain and play ability will suffer because of the magnetic pull on the strings. Adjust overall height using the screws located at either side of the pickup. If the pickup has individually adjustable polepieces (most humbuckers do), these can then be adjusted to achieve the best overall balance.
For optimal performance, we recommend measuring a distance of 2-3 millimeters between the bottom of string and the top of adjustable pole piece while fretting the highest fret.

YAMAHA Digital Paino

MIDI Functions

You can make detailed adjustments to MIDI settings.
For instructions on how to connect this instrument to the computer, refer to the “Computer-related Operations” downloadable from the Yamaha Downloads website.

MIDI Transmit/Receive Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving devices must be matched for proper data transfer. This parameter enables you to specify the channel on which the instrument transmits or receives MIDI data.

Setting the Transmit Channel
While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press one of the C4–D#4 keys.
Default setting: 1

Setting the Receive Channel
While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press one of the F4–A4 keys.

MIDI transmission channels in Dual, Split or Duo

Voice 1 data is transmitted on its specified channel and Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In this case, no data is transmitted if the transmit channel is set to “OFF.”

ALL:
“Multi-timbre” Receive. This allows simultaneous reception of different parts on all 16 MIDI channels, enabling the instrument to play multi-channel song data received from a computer.

1+2:
“1+2” Receive. This allows simultaneous reception on channels 1 and 2 only, enabling the instrument to play 1 and 2 channel song data received from a computer.
Program change and other like channel messages received will not affect the panel settings of the instrument or the notes you play on the keyboard.
Data for the Demo Songs and Preset Songs cannot be transmitted via MIDI.

Local Control ON/OFF

“Local Control” refers to the fact that, normally, the keyboard of the instrument controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the keyboard of the instrument does not play the internal voices, but the appropriate MIDI information is still transmitted via the [USB TO HOST] terminal when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the [USB TO HOST] terminal.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the C5 key. Pressing the C5 key repeatedly toggles between Local Control On and Off.

Program Change ON/OFF

Normally the instrument will respond to MIDI program change numbers received from a computer, causing the same numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The instrument will normally also send a MIDI program change number whenever one of its voices is selected, causing the same numbered voice or program to be selected on the computer if the computer is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the instrument without affecting the computer.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the C#5 key. Pressing the C#5 key repeatedly toggles between Program Change On and Off.

Control Change ON/OFF

Normally the instrument will respond to MIDI control change data received from a computer, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected).
The instrument also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the pedal of the instrument and other controls can be operated without affecting a computer.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the D5 key. Pressing the D5 key repeatedly toggles between Control Change On and Off.

MIDI Data Format

Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter “H” as a suffix.
Also, “n” can freely be defined as any whole number. To enter data/values, refer to the table below.

• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) denotes the Note On Message for each channel (1-16). 176-191/BnH/1011 0000-1011 1111 denotes the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 denotes the Program Change Message for each channel (1-16). 240/FOH/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message.
• aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
• bbH/0bbbbbbb denotes the byte count.
• ccH/0ccccccc denotes the check sum.
• ddH/0ddddddd denotes the data/value.

Preset Voice List

Program change numbers are often specified as numbers “0 -127.” Since this list uses a “1 – 128” numbering system, in such cases it is necessary to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select Live Grand in the list below, transmit program change number 1.

MIDI CHANNEL MESSAGE (1)

MIDI CHANNEL MESSAGE (2)

NRPN (Non Registered Parameter Number)

NRPN MSB: 14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice.
Data Entry LSB: Ignored.

RPN (Registered Parameter Number)

MIDI PARAMETER CHANGE TABLE

* Not Received when Receive Parameter SysEx is set to off.
* Not transmitted when Transmit Parameter SysEx is set to off.

MIDI Parameter Change table (XG SYSTEM)

MIDI Parameter Change table (SYSTEM INFORMATION)

TOTAL SIZE 10
Transmitted in response to Dump Request. Not received.

MIDI Parameter Change table (EFFECT1)

MIDI Parameter Change table (MULTI EQ)

MIDI Parameter Change table (EFFECT2)

The second byte of the address is considered as an Insertion effect number.
n : insertion effect number
The Insertion Effect No. range is from 0 to 1. Values outside the range are handled as unknown and ignored.
For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received.
For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received.
When bulk dumps that include Effect Type data are transmitted, the parameters for addresses 02-0B will always be transmitted.
For effects that require MSB however, when a bulk dump is received, the parameters for addresses 02-0B will not be received.

MIDI Parameter Change table (MULTI PART)

nn = PART NUMBER
If there is a Drum Voice assigned to the part, the following parameters are ineffective.

• BANK SELECT LSB
• PORTAMENTO
• MONO/POLY
• SCALE TUNING
• POLY AFTER TOUCH
• PITCH EG

MIDI Parameter Change table (DRUM SETUP)

n:Drum Setup Number (0-1)
rr:note number(0D-5B)
In the following cases, the instrument will initialize all Drum Setups.

• XG SYSTEM ON received
• GM SYSTEM ON received
• GM LEVEL2 SYSTEM ON received
• GS RESET received
• DRUM SETUP RESET received (only when in XG mode)

NOTICE
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.

System Exclusive Messages (1)

* Not Received when Receive Parameter SysEx is set to off.
* Not transmitted when Transmit Parameter SysEx is set to off.

System Exclusive Messages (Universal Non-Real Time Messages)

System Exclusive Messages (2)

* Not Received when Receive Parameter SysEx is set to off.
* Not transmitted when Transmit Parameter SysEx is set to off.

System Exclusive Messages (XG)

System Exclusive Messages (Others)

System Exclusive Messages (Preset Voice)

* For each Depth value, the reset value is 40H = voice parameter

Effect Type List(Panel)

Reverb Type List

DSP Type List